THE
VICTORIAN PERIOD
Albert
of Saxe-Coburg, prince consort of Victoria, was a major force in Victorian
England. Although the period was named for his wife, whose long rule
lasted from 1837 until 1901, it was Albert who was most passionate about
the arts and sciences and supporting them. This royal support was one
reason the industrial revolution exploded as it did in England and America.
To showcase the technical advances made throughout the English Empire
the Great Exhibition of 1851 was held in Hyde Park in the Crystal Palace,
a structure made of steel and covered with more than one million feet
of glass. Steel making was a featured exhibit, and envelope machines,
the jacquard loom, and kitchen appliances were among the 13,000 displays.
How did this revolution impact design and furnishings? With the advent
of machinery, there was a mass exodus to the cities from the small countryside
shops where for centuries limited quantities of furniture had been made
by hand. In the cities factories could mass produce great quantities
at lower prices. The days when one person would see a job from start
to finish was replaced by an assembly line mentality. Hand carving was
at a minimum. Instead flat “cookie cutter” shapes and lathe
turned spindles and legs provided the majority of decoration. Original
designs and inspirations took second place to mass production.
The Victorian age spawned revivals of rococo, Egyptian, Renaissance,
and Gothic styles with a touch of Turkish and Islamic influences thrown
in for good measure
Victorian furniture, in general, was massive, dark, tasseled, fringed
and over tufted. The motto seemed to be: if some is good, then more
is better. Exotic woods were popular, including ebony, black walnut
and rosewood. New furniture forms included what-nots, to display keepsakes
brought back from travels and all upholstered furniture (with newly
invented coil springs. For the first time drawer locks had the word
“Lever” engraved on the top. If a chest has the original
drawer lock with this marking, it can be dated as a Victorian piece.
If the wood around the lock has been tampered with during the replacing
of the lock, the item is pre-Victorian. The preferred style of drawer
pulls was of the large, single knob variety in glass or wood. Look on
the back side of drawer fronts, if there is evidence of several sets
of pulls (drilled holes where the pulls were attached) and one was a
single knob, the chest is Victorian or earlier. Then check the front
of the drawer, any holes on the back should match filled holes on the
front of the drawer, if not, perhaps the piece has been re-veneered.
Designer William Morris became the father of the Arts and Crafts movement
when he rebelled against the quantity over quality and eclectic approaches
in the decorative arts. A socialist, he sought to bring back simple
hand crafted furniture that featured simple construction and honest
design, most often produced in oak. His designs of wallpaper, carpets
and fabrics repeated this thinking.
John Henry Belter, a German immigrant living in New York, was a Victorian
designer who invented the method of laminating many thin layers of rosewood
at alternating 90 degree angles producing plywood that could be heavily
carved and pierced while maintaining the structural integrity. While
Belter did use a machine to laminate, the carving was all done by hand.
Rococo Revival furniture by Belter is some of the most collectible of
the period. A parlor set can be seen at Bayou Bend Museum in Houston.
Whether or not you choose to live with or even like Victorian furniture,
there are bits and pieces of the arts that can be appreciated.
*Published
in NFocus magazine in July 2000.